Lake City Contra/Old Time Country Dance
Every Thursday at
Schedule of bands and callers:NOTE: ADMISSION IS NOW ON A SLIDING SCALE FROM $8 - $12; kids & first-time contradancers still free! Jan 12-"Switching Protocols" (Ruth Byers on fiddle, John-Michael Seng-Wheeler on piano, & Christopher Jacoby on accordion & mandolin ) “…a band of nerdy folk from Berkeley, CA.…play rocking contra tunes, drawing on music from Old England, New England, and New New England.” Lindsey Dono’s savvy, smooth calling is a special treat!Jan 19-Tonight’s dance menu highlights the “Pinehurst Special” (Brad Reynolds, Valerie Cohen, Joe Grote, & Amy Englesberg on fiddles, accordion, & piano) - dig in! Caller Eric Curl serves up delicious contras fresh and hot!Jan 26-Electrifying music from Ryan McKasson, Dave Bartley, & Amy Englesberg (fiddle, guitar, mandolin, cittern, cajon, accordion, piano) will super-charge the dance floor! Zesty caller Emma Anderson lights the contra spark. Feb 2-Savor the raw energy and sweetness of “The Free Raisins” (Audrey Knuth, Amy Englesberg, & Jeff Kaufman – Boston & Seattle - fiddle, mandolin, trumpet, piano, accordion, & feet) as they fuse New England roots with a modern groove.
http://www.freeraisins.com Creative, playful caller Seth Tepfer (Atlanta GA) adds his own spice! Feb 9-The music of Bellingham’s “Heliotrope” (Robin Brown, Paul Englesberg, & Michael Hobart on fiddle, flutes, concertina, & guitar) is as delightful as the fragrance of the purple flower for which it is named. Caller Morna Leonard returns from Montana with a bouquet full of beautiful dances!Feb 16-Any way you look at it, “Tapsalteerie” (Jon Singleton, Clare Woolgrove, Jan Martindale, Nick Leininger, Sam Good – fiddles, concertina, guitar, bass) is FUN!!! Friendly, inventive caller Michael Karcher keeps us spinning and grinning! http://www.michaelkarchercalling.comFeb 23-“The Waxwings” (Jesse Partridge, Alex Sturbaum, & Amy Englesberg on fiddle, guitar, accordion, & piano) brings together 3 of our finest young musicians (“The Contra Quartet”, "RiffRaff", “Countercurrent”, “Gallimaufry”, “Saving Daylight”, “Triple A”, “Free Raisins” & more). Expert caller Alan Winston flies in from SF, CA with an intriguing variety of dances!Mar 2-“Purple Heys” (Sean Bolton – fiddle, Melissa Coffey - flute, fiddle, sax, whistle, & Doug Plummer - piano) rocks the dance floor with fast moving New England tunes, relentlessly cheerful French Canadian tunes, and rollicking old-time standards. Fresh talent Isaac Banner calls with clarity and a knack for choosing cool contras!Mar 9-The 12th Annual CONTRA MARATHON - Benefit for the NW Folklife Festival - 6 bands, 17 callers!!! 3 hours non-stop fun! (part of the Cascade Promenade weekend http://cascadepromenade.orgMar 16-“The Gotham Carnival Duo” (Julia Hartman & Jean Monroe – NYC – fiddle & piano) + Dave Bartley on guitar, mandolin, cittern, & cajon; LauraMe' Smith callerMar 23-Ruthie Dornfeld & Terry Wergeland – fiddle & piano; Amy Carroll callerMar 30-“The Fixations” (Cathie Whitesides, Laurie Andres, & Sandy Bradley – fiddle, accordion, guitar & piano); John Gallagher callerApr 6-“The Syncopaths” (Ryan McKasson, Jeff Spero, Ashley Broder, Christa Burch – CA & WA - fiddle, mandolin, keyboard, bodhran, vocals) www.syncopaths.com Susan Michaels (CA) callerApr 13-“Countercurrent” (Brian Lindsay & Alex Sturbaum - fiddle & guitar); Sonya Kaufman callerApr 20-“Crow Valley String Band” (Rachel Bishop, Tashi, Kaj, & Jim Litch – Orcas Island – fiddle, mandolin, guitar, bass)
Apr 27-“Triple A” (Audrey Knuth, Amy Englesberg, Andrew VanNorstrand - Boston, Seattle, NY - fiddles, accordion, guitar, piano)May 4-"The Euphemists" (Paula Hamlin, Kaye Blesener, Jerry Nelson, Alan Snyder, & Dave Goldman - Portland - sax, clarinet, trombone, flute, whistle, guitar, fiddle, keyboard, & percussion)May 11-“Chassez” (Terry Wergeland, Vivian & Phil Williams – accordion, piano, fiddle, guitar, mandolin)
WELCOME TO THE CONTRA DANCE!
Contra (or Old-Time Country) Dances feature dynamic LIVE music, energetic dancing, friendly camaraderie, and a strong sense of community. Contra/square dancing is great fun and great exercise - for all ages!
Here are some helpful hints and guidelines:
∗ Contra dancing is traditional American folk dancing, derived from English and French country dancing. Couples stand in long lines. The caller “walks through” a pattern of figures before each dance begins, and prompts the moves as long as the dancers need it. Each couple dances the sequence with another couple, then progresses along the line to repeat it with new couples. ∗ Anyone can ask anyone to dance - it’s “people’s choice”. It is customary (not mandatory!) to change partners for each dance. When invited to dance, it is ok to politely decline. There is no need to feel guilty or to make excuses. If you are turned down for a dance, take it in stride and seek another partner; don't harass anyone who has repeatedly declined to dance with you. ∗ Callers use the terms"ladies & gents"to refer to therolesof the people in the dance – the "lady" is on the right & "gent" on the left in each couple (unlike other social dances, either person in contra dancing can lead or follow depending on the figure). Dance with whoever is coming towards you in line, regardless of their gender. ∗ You don’t have to worry about footwork; justwalk smoothly, 1 step per beat of music. ∗ Connecting with each other and with the music is the essence of contra dancing. When dancing with joined hands, keep your elbows bent, pull back slightly, just enough to keep an equal counterbalance – keep your fingers relaxed, don't squeeze hands or twist wrists. ∗ Eye contact is another way we connect. Looking at each other will keep you from getting too dizzy – and it’s fun!!! If you're uncomfortable looking deeply into someone's eyes, you can look at his/her forehead, chin, ear…..∗ In contra dancing, each figure fits with a musical phrase. It’s very satisfying to time each move so you can be ready to start the next in sync with the music, and with the other dancers!∗ Learn the basics before trying to add fancy flourishes. Be respectful of each other’s needs and preferences: how fast to swing, adding extra twirls, how boldly to flirt…or not…∗ It's ok to make mistakes – no one is keeping score! People are friendly & everyone helps each other out. If you miss a figure, don’t worry about it - skip it and go on to the next.∗ Dancing in a way that hurts or disregards the safety or comfort of other dancers is NOT acceptable!!! If someone does something that hurts or makes you uncomfortable, let them know - be clear, direct, and specific – subtle hints are often ineffective. If you feel awkward or unsure about your dancing or social interactions – ASK!! Callers, dance coordinators, and many experienced dancers are willing and able to help. ∗ At the end of each dance remember to thank your partner and the band! Show your appreciation for the talent, skill, and dedication of our fabulous musicians & callers – applaud heartily!!!
For Experienced Dancers:
∗ Please welcome newcomers - ask them to dance, and help them have a fun, satisfying dance experience! Two of you can approach new couples and offer to be their partners, but don't insist that they split up. Trust that their "neighbors" in the line will help. ∗ Give your full attention when the caller is teaching, thereby setting a good example for newcomers (even if you thoroughly know the dance).∗ Help newer dancers to face the right direction, and keep verbal instructions to an absolute minimum. Point, gesture, tap on the shoulder, use other signals, or call their name. It is hard for newer dancers to listen to the caller, you, other dancers, and the music all at the same time. ∗ Be considerate - refrain from extra twirls & spins, and high-speed swings with less experienced dancers. These are disorienting, slowing the learning process for your partner and for other newcomers for whom you are a role model. ∗ When helping other dancers, relax – be encouraging, and keep it light! It’s all about shared enjoyment, not perfection. Newcomers will learn faster and dance better when they are not anxious about their performance.∗ Be sociable and resist the urge to “book ahead”. Go to the sidelines & ask those sitting out if they would like to dance.
Please read footprints for a brief history of this dance series.