Lake City Contra/Old Time Country Dance
Every Thursday at
Schedule of bands and callers:
June 23-Don’t miss the multi-faceted talents of this teenage superband: “The Onlies” (Riley Calcagno, Sami Braman, Leo Shannon, & RuthMabel Boytz on fiddles, guitar, mandolin, banjo, bass, & vocals http://www.theonlies.com Sherry Nevins & Isaac Banner call a variety of dances that will top up your pleasure tank! June 30-The power duo of Daniel Steinberg (from “Hillbillies from Mars” - SF, CA - piano) & Ruthie Dornfeld (fiddle) bring fireworks excitement to the dance floor! Superb caller Lindsey Dono lights up the night with a fine selection of energetic and elegant dances.July 7-“The Yes Bees” are Susan Burke ((of “Red Crow”) & Sandy Bradley (of the legendary "Gypsy Gyppo String Band"), delighting us with pure & potent musical honey on fiddle & guitar. Genial caller Michael Karcher treats us to his yummiest dances!July 14-"Les Fabulous Girls du Ouest Coast": 15 double-x chromosome musicians on fiddles, concertinas, melodeons, mandolin, flute, whistle, sax, guitars, & bass! Le fabulous LauraMe' Smith charms us with her wonderful calling.July 21-This playful, spirited, happy music will make you “Wink at the Moon” (Sarah Comer, Stuart Williams, & Terry Wergeland on fiddles, guitar, piano & accordion). Lively caller Joe Micheals (that golden voice!) lifts us sky-high!July 28-Marni Rachmiel (of “Contra Sutra”) joins up with Claude Ginsburg & Dave Bartley (of “KGB”) for magical musical alchemy on flute, sax, fiddle, guitar, mandolin, cittern, & cajon. Renowned caller/ composer Rick Mohr (Philadelphia) stirs up an enchanting brew of dances!Aug 4- NO DANCE - hall is being prepped for the SalmonFest Seattle Fri-Sun https:salmonfestseattle.comAug 11-Savor this triple-dip of ultra-cool music from Brandon Vance, Marni Rachmiel, & Terry Wergeland on fiddle, flute, sax, & piano. Caller Gwen Rousseau deftly scoops a sweet selection of contras!Aug 18-To celebrate their 25th wedding anniversary Dave Bartley & Mary DeFelice Bartley are HOSTING tonight’s dance, with glorious music by Amy Englesberg & Alex Sturbaum, Jesse Partridge, & Cedar Stanistreet (Boston) on fiddles, accordions, guitar, & piano, and gracious calling by LauraMe' Smith!Aug 25-- In honor of Sande Gillette’s retirement from the Seattle Symphony tonight’s dance is HOSTED by Alan Roberts: “Continental Drift” (Eileen Nicholson - Syracuse NY, Eric Anderson, & Terry Wergeland) treats us to sublime & sassy music on fiddle, accordion, & piano, with quick-witted caller Craig Wolfe leading the way! Sept 1- TBA Sept 8-"The Euphemists" (Paula Hamlin, Kaye Blesener, Jerry Nelson, Alan Snyder, & Dave Goldman - Portland - sax, clarinet, trombone, flute, whistle, guitar, fiddle, keyboard, percussion); Karen Marshall caller Sept 15-Rodney Miller, Marni Rachmiel & Dave Bartley (fiddle, flute, sax, guitar, mandolin, cajon); Tom & Amy Wimmer callersSept 22-"Maivish" (Jaige Trudel, Adam Broome, Cedar Stanistreet - Quebec & MA); Dave Eisenstadter (Northampton MA) callerSept 29-“The Rhythm Rollers” (Cathie Whitesides, Laurie Andres, & WB Reid - fiddles, guitar, banjo-guitar, accordion); Oct 6-Jamie Fox, Sono Hashisaki, Terry Weiner, & Jay Finkelstein (fiddles, mandolin, guitar); Jesse Partridge callerOct 13-“Crow Valley String Band” (Rachel Bishop, Tashi, Kaj, & Jim Litch – Orcas Island – fiddle, mandolin, guitar, bass); Mark Matthews (Montana) callerOct 20-“Hands 4” (Keith Moe, Fran Tewksbury, Carl Thor, & Rich Goss – Portland - fiddle, mandolin, whistle, flute, piano, percussion); Eric Curl callerOct 27-“Notorious” (Eden MacAdam-Somer, Larry Unger, Sam Bartlett, Ralph Gordon, & Mark “Pokey” Hellenberg - MA, IN, W VA, OH - fiddle, guitar, banjo, mandolin, bass, percussion); Will Mentor (VT) caller
WELCOME TO THE CONTRA DANCE!
Contra (or Old-Time Country) Dances feature dynamic LIVE music, energetic dancing, friendly camaraderie, and a strong sense of community. Contra/square dancing is great fun and great exercise - for all ages!
Here are some helpful hints and guidelines:
∗ Contra dancing is traditional American folk dancing, derived from English and French country dancing. Couples stand in long lines. The caller “walks through” a pattern of figures before each dance begins, and prompts the moves as long as the dancers need it. Each couple dances the sequence with another couple, then progresses along the line to repeat it with new couples. ∗ Anyone can ask anyone to dance - it’s “people’s choice”. It is customary (not mandatory!) to change partners for each dance. When invited to dance, it is ok to politely decline. There is no need to feel guilty or to make excuses. If you are turned down for a dance, take it in stride and seek another partner; don't harass anyone who has repeatedly declined to dance with you. ∗ Callers use the terms"ladies & gents"to refer to therolesof the people in the dance – the "lady" is on the right & "gent" on the left in each couple (unlike other social dances, either person in contra dancing can lead or follow depending on the figure). Dance with whoever is coming towards you in line, regardless of their gender. ∗ You don’t have to worry about footwork; justwalk smoothly, 1 step per beat of music. ∗ Connecting with each other and with the music is the essence of contra dancing. When dancing with joined hands, keep your elbows bent, pull back slightly, just enough to keep an equal counterbalance – keep your fingers relaxed, don't squeeze hands or twist wrists. ∗ Eye contact is another way we connect. Looking at each other will keep you from getting too dizzy – and it’s fun!!! If you're uncomfortable looking deeply into someone's eyes, you can look at his/her forehead, chin, ear…..∗ In contra dancing, each figure fits with a musical phrase. It’s very satisfying to time each move so you can be ready to start the next in sync with the music, and with the other dancers!∗ Learn the basics before trying to add fancy flourishes. Be respectful of each other’s needs and preferences: how fast to swing, adding extra twirls, how boldly to flirt…or not…∗ It's ok to make mistakes – no one is keeping score! People are friendly & everyone helps each other out. If you miss a figure, don’t worry about it - skip it and go on to the next.∗ Dancing in a way that hurts or disregards the safety or comfort of other dancers is NOT acceptable!!! If someone does something that hurts or makes you uncomfortable, let them know - be clear, direct, and specific – subtle hints are often ineffective. If you feel awkward or unsure about your dancing or social interactions – ASK!! Callers, dance coordinators, and many experienced dancers are willing and able to help. ∗ At the end of each dance remember to thank your partner and the band! Show your appreciation for the talent, skill, and dedication of our fabulous musicians & callers – applaud heartily!!!
For Experienced Dancers:
∗ Please welcome newcomers - ask them to dance, and help them have a fun, satisfying dance experience! Two of you can approach new couples and offer to be their partners, but don't insist that they split up. Trust that their "neighbors" in the line will help. ∗ Give your full attention when the caller is teaching, thereby setting a good example for newcomers (even if you thoroughly know the dance).∗ Help newer dancers to face the right direction, and keep verbal instructions to an absolute minimum. Point, gesture, tap on the shoulder, use other signals, or call their name. It is hard for newer dancers to listen to the caller, you, other dancers, and the music all at the same time. ∗ Be considerate - refrain from extra twirls & spins, and high-speed swings with less experienced dancers. These are disorienting, slowing the learning process for your partner and for other newcomers for whom you are a role model. ∗ When helping other dancers, relax – be encouraging, and keep it light! It’s all about shared enjoyment, not perfection. Newcomers will learn faster and dance better when they are not anxious about their performance.∗ Be sociable and resist the urge to “book ahead”. Go to the sidelines & ask those sitting out if they would like to dance.
Please read footprints for a brief history of this dance series.